diff --git a/.github/ISSUE_TEMPLATE/bug_report.yml b/.github/ISSUE_TEMPLATE/bug_report.yml
new file mode 100644
index 00000000..c763b3b9
--- /dev/null
+++ b/.github/ISSUE_TEMPLATE/bug_report.yml
@@ -0,0 +1,64 @@
+name: Bug report
+description: File a bug report to help improve Readium CSS
+labels: []
+type: "Bug"
+body:
+ - type: markdown
+ attributes:
+ value: |
+ Thank you for filing a bug report! Please [search for existing issues](https://github.com/readium/css/issues?q=is:issue) before submitting.
+ - type: textarea
+ id: bug-description
+ attributes:
+ label: Describe the bug
+ description: Also, please let us know what your expectations were.
+ placeholder: A clear and concise description of what the bug is.
+ validations:
+ required: true
+ - type: textarea
+ id: bug-steps
+ attributes:
+ label: How to reproduce?
+ description: |
+ Step by step explanation to reproduce the issue in the Test App.
+
+ If you can, drag and drop:
+ - the publication used to reproduce the problem, after zipping it.
+ - screenshots or a screencast showing the issue
+
+ placeholder: |
+ 1. Open book X
+ 2. Go to chapter Y
+ 3. Swipe left twice
+ 4. See error
+ ...
+ validations:
+ required: true
+ - type: input
+ id: bug-readium-css-version
+ attributes:
+ label: Readium CSS version
+ description: What version of Readium CSS are you running?
+ validations:
+ required: true
+ - type: input
+ id: bug-platforms
+ attributes:
+ label: Platforms
+ description: On which platform(s) did you reproduce the problem?
+ validations:
+ required: true
+ - type: input
+ id: bug-browsers
+ attributes:
+ label: Browsers
+ description: On which browser(s) did you reproduce the problem?
+ validations:
+ required: true
+ - type: textarea
+ id: bug-additional
+ attributes:
+ label: Additional context
+ description: |
+ Share additional code showing how you use Readium, if relevant. Output logs are useful as well.
+ If you already went through the codebase to find the bug, you can explain your findings here.
\ No newline at end of file
diff --git a/.github/ISSUE_TEMPLATE/config.yml b/.github/ISSUE_TEMPLATE/config.yml
new file mode 100644
index 00000000..a49eab2f
--- /dev/null
+++ b/.github/ISSUE_TEMPLATE/config.yml
@@ -0,0 +1 @@
+blank_issues_enabled: true
\ No newline at end of file
diff --git a/.github/issue_template.md b/.github/issue_template.md
deleted file mode 100644
index 066b33e7..00000000
--- a/.github/issue_template.md
+++ /dev/null
@@ -1,38 +0,0 @@
-I'm submitting a [bug report | feature request | other]
-
-**Short description of the issue/suggestion:**
-
-
-
-**Steps to reproduce the issue/enhancement:**
-
-1. [First Step]
-2. [Second Step]
-3. [Other Steps...]
-
-**What is the expected behaviour?**
-
-
-
-**What is the current behaviour?**
-
-
-
-**Do you have screenshots, GIFs, demos or samples which demonstrate the problem or enhancement?**
-
-
-
-**What is the motivation / use case for changing the behaviour?**
-
-
-
-**Do you know which CSS modules (stylesheets) are impacted?**
-
-
-
-**Please tell us about your environment:**
-
-- Platform: [Android | iOS | Linux | MacOS | Windows | other]
-- Browser / Rendering Engine: [all | Chrome XX | Firefox XX | IE XX | Safari XX | Mobile Chrome XX | Chromium on Electron XX | Android Web View | iOS XX Safari | iOS XX UIWebView | iOS XX WKWebView | other]
-
-**Other information** (e.g. related issues, suggestions how to fix, links for us to have context)
diff --git a/.github/pull_request_template.md b/.github/pull_request_template.md
deleted file mode 100644
index d0ea620c..00000000
--- a/.github/pull_request_template.md
+++ /dev/null
@@ -1,27 +0,0 @@
-**Please check if the PR fulfills these requirements:**
-
-(Add x between brackets to check.)
-
-- [ ] I’ve read [contributing guidelines](../contributing.md)
-- [ ] I’m making this pull request against the develop branch
-- [ ] I’ve updated from the develop branch before proposing this pull request
-- [ ] I’ve tested the changes for bug fixes and/or features
-- [ ] I’ve documented new code
-
-**What kind of change does this PR introduce?** (Bug fix, feature, docs update, other)
-
-
-
-**What is the current behaviour?** (You can also link to an open issue here)
-
-
-
-**What is the new behaviour?**
-
-
-
-**Does this PR introduce a breaking change?** (What changes might users need to make in their application due to this PR?)
-
-
-
-**Other information:**
\ No newline at end of file
diff --git a/.github/workflows/node.js.yml b/.github/workflows/node.js.yml
index 020f3149..b7477d65 100644
--- a/.github/workflows/node.js.yml
+++ b/.github/workflows/node.js.yml
@@ -20,6 +20,7 @@ jobs:
- uses: actions/checkout@v4
with:
ref: ${{ github.head_ref }}
+ fetch-depth: 0 # Fetch complete git history
- name: Use Node.js
uses: actions/setup-node@v4
with:
@@ -29,5 +30,5 @@ jobs:
- run: npm run build --if-present
- uses: stefanzweifel/git-auto-commit-action@v5
with:
- file_pattern: "css/dist/**"
+ file_pattern: "css/dist/** package-lock.json"
commit_message: Update dist
\ No newline at end of file
diff --git a/.nvmrc b/.nvmrc
new file mode 100644
index 00000000..85aee5a5
--- /dev/null
+++ b/.nvmrc
@@ -0,0 +1 @@
+v20
\ No newline at end of file
diff --git a/README.md b/README.md
index 38f65400..4befa4ba 100644
--- a/README.md
+++ b/README.md
@@ -1,16 +1,15 @@
-# readium-css
+# Readium CSS
[](https://readium.org)
-A set of reference stylesheets for EPUB Reading Systems, starting with Readium 2.
+A set of reference stylesheets for EPUB Reading Systems.
Readium CSS provides styles for reflowable text:
- paged and scrolled views;
- a “patch” for HTML5 Suggested Rendering specific to publications (e.g. extra styles for hyphenation, breaks, etc.);
- default styles for unstyled ebooks;
-- reading modes (day, night, and sepia);
-- themes;
+- theming;
- user settings;
- a set of baselines and recommendations for accessibility, overrides, and internationalization.
@@ -18,35 +17,36 @@ Readium CSS provides styles for reflowable text:
BSD-3-Clause (http://opensource.org/licenses/BSD-3-Clause)
-See [license.txt](https://github.com/readium/readium-css/blob/master/LICENSE).
+See [license.txt](https://github.com/readium/css/blob/master/LICENSE).
## Scope of this project
The primary goal of Readium CSS is to provide Reading System implementers with reliable and modern styles for reflowable EPUB 2 and EPUB 3 files. In addition, it should provide good interoperability in the existing ecosystem, while not overriding authors’ styles unless strictly necessary.
-Readium CSS stylesheets were not designed and should not be used for fixed-layout EPUB, nor other file formats like FB2, PRC, Mobi, TEI, etc. Works in progress like Web Publications or Portable Web Publications are also out of scope.
+Readium CSS stylesheets were not designed and should not be used for fixed-layout EPUB, nor other file formats like FB2, PRC, Mobi, TEI, etc.
Some issues, which may be raised during development, will be documented so that they can serve as a reference for revisions of the EPUB specification, and even future specifications.
-## Testing
+## Implementations
-An [iOS test app](https://github.com/readium/r2-testapp-swift) for the Swift implementation of Readium 2 is using Readium CSS and can be [downloaded on the App Store](https://itunes.apple.com/us/app/r2-reader/id1363963230?mt=8).
+Readium CSS is implemented in the [Readium Mobile](https://github.com/readium/mobile) and [Readium Web](https://github.com/readium/web) projects.
-An [Android test app](https://github.com/readium/r2-testapp-kotlin) for the Kotlin implementation of Readium 2 is using Readium CSS. Stable builds are [available on Google Play](https://play.google.com/store/apps/details?id=org.readium.r2reader). To follow the development of this app, [join the beta channel](https://play.google.com/apps/testing/org.readium.r2reader).
+You will find it in:
-The Readium Desktop app is using Readium CSS and [is available for Linux, MacOS and Windows](https://github.com/edrlab/readium-desktop/releases).
+- [ts-toolkit](https://github.com/readium/ts-toolkit)
+- [swift-toolkit](https://github.com/readium/swift-toolkit)
+- [kotlin-toolkit](https://github.com/readium/kotlin-toolkit)
-You can also use the [webpub manifest prototype](https://github.com/HadrienGardeur/webpub-manifest/tree/gh-pages/examples/paged-viewer) with the [RS-streamer-js](https://github.com/edrlab/r2-streamer-js) in a local development environment. Please note you’ll have to manually inject stylesheets and apply settings via the console, or design and code scripts if you want a GUI (user settings menu).
+External use include:
-## Other known implementations
-
-There is no external implementation of Readium CSS so far.
-
-Consequently, if you are encountering rendering issues with Readium (iOS apps, Android apps, or the Readium Chrome App), please report them on the [github section dedicated to the proper Readium project](https://github.com/readium) (readium-js, readium-shared-js, readium-sdk, etc.).
+- [Thorium Desktop](https://github.com/edrlab/thorium-reader)
+- [Thorium Web](https://github.com/edrlab/thorium-web)
+- [Zotero](https://github.com/zotero/reader)
+- [Vital Source](https://www.vitalsource.com/)
## Development
-Active development is pulled in branch `develop` first, and then made available in the main branch when sufficiently tested and deemed stable.
+Active development is pulled in branch `develop`.
### Init
@@ -88,4 +88,4 @@ npm run test:approve
Documentation [can be accessed in docs](docs).
-[You can alternatively download it as an EPUB file](https://github.com/readium/readium-css/raw/master/docs/ReadiumCSS_docs.epub).
\ No newline at end of file
+[You can alternatively download it as an EPUB file](https://github.com/readium/css/raw/master/docs/ReadiumCSS_docs.epub).
diff --git a/_includes/toc.html b/_includes/toc.html
index 8bbdfac7..35a77f48 100644
--- a/_includes/toc.html
+++ b/_includes/toc.html
@@ -10,8 +10,10 @@
}
}, false);
+ fontWeight.addEventListener("input", function(e) {
+ fontWeightTarget.style.setProperty("--font-weight", e.target.value);
+ fontWeightValueHolder.textContent = e.target.value;
+ }, false);
+
+ fontWidth.addEventListener("input", function(e) {
+ fontWidthTarget.style.setProperty("--font-width", e.target.value + "%");
+ fontWidthValueHolder.textContent = e.target.value;
+ }, false);
+
+ opticalSizing.addEventListener("change", function (e) {
+ if (this.checked) {
+ opticalSizingTarget.style.setProperty("--optical-sizing", "none");
+ } else {
+ opticalSizingTarget.style.setProperty("--optical-sizing", "auto");
+ }
+ }, false);
+
downloadLink.addEventListener("click", function(e) {
e.preventDefault();
download();
}, false);
+ function resetVariations() {
+ fontWeight.value = 400;
+ fontWeightTarget.style.removeProperty("--font-weight");
+ fontWeightValueHolder.textContent = "400";
+
+ fontWidth.value = 100;
+ fontWidthTarget.style.removeProperty("--font-width");
+ fontWidthValueHolder.textContent = "100";
+
+ opticalSizing.checked = false;
+ opticalSizingTarget.style.removeProperty("--optical-sizing");
+ };
+
function download() {
let title = customFont.value,
filename = title.split(" ").join("-").toLowerCase() + ".html",
diff --git a/package-lock.json b/package-lock.json
index 8331d4ec..0e7e6ade 100644
--- a/package-lock.json
+++ b/package-lock.json
@@ -1,21 +1,21 @@
{
- "name": "readium-css",
- "version": "1.1.0",
+ "name": "@readium/css",
+ "version": "2.0.0-beta.25",
"lockfileVersion": 3,
"requires": true,
"packages": {
"": {
- "name": "readium-css",
- "version": "1.1.0",
+ "name": "@readium/css",
+ "version": "2.0.0-beta.25",
"license": "BSD-3-Clause",
"devDependencies": {
+ "@daltontan/postcss-import-json": "^1.1.1",
"backstopjs": "^6.3.23",
"copyfiles": "^2.4.1",
- "express": "^4.19.1",
+ "express": "^4.21.1",
"postcss-alter-property-value": "^1.1.3",
"postcss-cli": "^11.0.0",
"postcss-css-variables": "^0.19.0",
- "postcss-custom-media": "^10.0.4",
"postcss-custom-selectors": "^6.0.3",
"postcss-discard-comments": "^6.0.2",
"postcss-header": "^3.0.3",
@@ -123,29 +123,6 @@
"node": ">=4"
}
},
- "node_modules/@csstools/cascade-layer-name-parser": {
- "version": "1.0.9",
- "resolved": "https://registry.npmjs.org/@csstools/cascade-layer-name-parser/-/cascade-layer-name-parser-1.0.9.tgz",
- "integrity": "sha512-RRqNjxTZDUhx7pxYOBG/AkCVmPS3zYzfE47GEhIGkFuWFTQGJBgWOUUkKNo5MfxIfjDz5/1L3F3rF1oIsYaIpw==",
- "dev": true,
- "funding": [
- {
- "type": "github",
- "url": "https://github.com/sponsors/csstools"
- },
- {
- "type": "opencollective",
- "url": "https://opencollective.com/csstools"
- }
- ],
- "engines": {
- "node": "^14 || ^16 || >=18"
- },
- "peerDependencies": {
- "@csstools/css-parser-algorithms": "^2.6.1",
- "@csstools/css-tokenizer": "^2.2.4"
- }
- },
"node_modules/@csstools/css-parser-algorithms": {
"version": "2.6.1",
"resolved": "https://registry.npmjs.org/@csstools/css-parser-algorithms/-/css-parser-algorithms-2.6.1.tgz",
@@ -232,6 +209,12 @@
"postcss-selector-parser": "^6.0.13"
}
},
+ "node_modules/@daltontan/postcss-import-json": {
+ "version": "1.1.1",
+ "resolved": "https://registry.npmjs.org/@daltontan/postcss-import-json/-/postcss-import-json-1.1.1.tgz",
+ "integrity": "sha512-O00tu73ApgCIQeQ/P+Wm0Vysinq/YRL4rHsx0O42StdFs9MXnQtzpZw0C37CCg+bxBadwKlZowRy0sf4MTMeeA==",
+ "dev": true
+ },
"node_modules/@dual-bundle/import-meta-resolve": {
"version": "4.0.0",
"resolved": "https://registry.npmjs.org/@dual-bundle/import-meta-resolve/-/import-meta-resolve-4.0.0.tgz",
@@ -444,15 +427,15 @@
}
},
"node_modules/ajv": {
- "version": "8.12.0",
- "resolved": "https://registry.npmjs.org/ajv/-/ajv-8.12.0.tgz",
- "integrity": "sha512-sRu1kpcO9yLtYxBKvqfTeh9KzZEwO3STyX1HT+4CaDzC6HpTGYhIhPIzj9XuKU7KYDwnaeh5hcOwjy1QuJzBPA==",
+ "version": "8.18.0",
+ "resolved": "https://registry.npmjs.org/ajv/-/ajv-8.18.0.tgz",
+ "integrity": "sha512-PlXPeEWMXMZ7sPYOHqmDyCJzcfNrUr3fGNKtezX14ykXOEIvyK81d+qydx89KY5O71FKMPaQ2vBfBFI5NHR63A==",
"dev": true,
"dependencies": {
- "fast-deep-equal": "^3.1.1",
+ "fast-deep-equal": "^3.1.3",
+ "fast-uri": "^3.0.1",
"json-schema-traverse": "^1.0.0",
- "require-from-string": "^2.0.2",
- "uri-js": "^4.2.2"
+ "require-from-string": "^2.0.2"
},
"funding": {
"type": "github",
@@ -557,9 +540,9 @@
"dev": true
},
"node_modules/backstopjs": {
- "version": "6.3.23",
- "resolved": "https://registry.npmjs.org/backstopjs/-/backstopjs-6.3.23.tgz",
- "integrity": "sha512-GRSth3jEWI0goJ5ETA+D6QsK7ZZi0+qvZ0AAroGoLODCb20Y7NG3gc0Egnf4Qdrqg4D+seJHVjfZwqm3nuYqZg==",
+ "version": "6.3.25",
+ "resolved": "https://registry.npmjs.org/backstopjs/-/backstopjs-6.3.25.tgz",
+ "integrity": "sha512-jy0dxlk45tItXLcj9zjRTCyCa6D27M9OMK5kM8To0ELLclKhI/dWn/igUTMBBMJXe4Kql+CGyDRErMtTv2+40Q==",
"dev": true,
"dependencies": {
"@mirzazeyrek/node-resemble-js": "^1.2.1",
@@ -585,7 +568,7 @@
"backstop": "cli/index.js"
},
"engines": {
- "node": ">=16.0.0 <=20.x.x",
+ "node": ">=16.0.0",
"npm": ">=8.0.0"
}
},
@@ -596,49 +579,80 @@
"dev": true
},
"node_modules/bare-events": {
- "version": "2.4.2",
- "resolved": "https://registry.npmjs.org/bare-events/-/bare-events-2.4.2.tgz",
- "integrity": "sha512-qMKFd2qG/36aA4GwvKq8MxnPgCQAmBWmSyLWsJcbn8v03wvIPQ/hG1Ms8bPzndZxMDoHpxez5VOS+gC9Yi24/Q==",
+ "version": "2.5.4",
+ "resolved": "https://registry.npmjs.org/bare-events/-/bare-events-2.5.4.tgz",
+ "integrity": "sha512-+gFfDkR8pj4/TrWCGUGWmJIkBwuxPS5F+a5yWjOHQt2hHvNZd5YLzadjmDUtFmMM4y429bnKLa8bYBMHcYdnQA==",
"dev": true,
+ "license": "Apache-2.0",
"optional": true
},
"node_modules/bare-fs": {
- "version": "2.3.1",
- "resolved": "https://registry.npmjs.org/bare-fs/-/bare-fs-2.3.1.tgz",
- "integrity": "sha512-W/Hfxc/6VehXlsgFtbB5B4xFcsCl+pAh30cYhoFyXErf6oGrwjh8SwiPAdHgpmWonKuYpZgGywN0SXt7dgsADA==",
+ "version": "4.0.2",
+ "resolved": "https://registry.npmjs.org/bare-fs/-/bare-fs-4.0.2.tgz",
+ "integrity": "sha512-S5mmkMesiduMqnz51Bfh0Et9EX0aTCJxhsI4bvzFFLs8Z1AV8RDHadfY5CyLwdoLHgXbNBEN1gQcbEtGwuvixw==",
"dev": true,
+ "license": "Apache-2.0",
"optional": true,
"dependencies": {
- "bare-events": "^2.0.0",
- "bare-path": "^2.0.0",
- "bare-stream": "^2.0.0"
+ "bare-events": "^2.5.4",
+ "bare-path": "^3.0.0",
+ "bare-stream": "^2.6.4"
+ },
+ "engines": {
+ "bare": ">=1.16.0"
+ },
+ "peerDependencies": {
+ "bare-buffer": "*"
+ },
+ "peerDependenciesMeta": {
+ "bare-buffer": {
+ "optional": true
+ }
}
},
"node_modules/bare-os": {
- "version": "2.4.0",
- "resolved": "https://registry.npmjs.org/bare-os/-/bare-os-2.4.0.tgz",
- "integrity": "sha512-v8DTT08AS/G0F9xrhyLtepoo9EJBJ85FRSMbu1pQUlAf6A8T0tEEQGMVObWeqpjhSPXsE0VGlluFBJu2fdoTNg==",
+ "version": "3.6.1",
+ "resolved": "https://registry.npmjs.org/bare-os/-/bare-os-3.6.1.tgz",
+ "integrity": "sha512-uaIjxokhFidJP+bmmvKSgiMzj2sV5GPHaZVAIktcxcpCyBFFWO+YlikVAdhmUo2vYFvFhOXIAlldqV29L8126g==",
"dev": true,
- "optional": true
+ "license": "Apache-2.0",
+ "optional": true,
+ "engines": {
+ "bare": ">=1.14.0"
+ }
},
"node_modules/bare-path": {
- "version": "2.1.3",
- "resolved": "https://registry.npmjs.org/bare-path/-/bare-path-2.1.3.tgz",
- "integrity": "sha512-lh/eITfU8hrj9Ru5quUp0Io1kJWIk1bTjzo7JH1P5dWmQ2EL4hFUlfI8FonAhSlgIfhn63p84CDY/x+PisgcXA==",
+ "version": "3.0.0",
+ "resolved": "https://registry.npmjs.org/bare-path/-/bare-path-3.0.0.tgz",
+ "integrity": "sha512-tyfW2cQcB5NN8Saijrhqn0Zh7AnFNsnczRcuWODH0eYAXBsJ5gVxAUuNr7tsHSC6IZ77cA0SitzT+s47kot8Mw==",
"dev": true,
+ "license": "Apache-2.0",
"optional": true,
"dependencies": {
- "bare-os": "^2.1.0"
+ "bare-os": "^3.0.1"
}
},
"node_modules/bare-stream": {
- "version": "2.1.3",
- "resolved": "https://registry.npmjs.org/bare-stream/-/bare-stream-2.1.3.tgz",
- "integrity": "sha512-tiDAH9H/kP+tvNO5sczyn9ZAA7utrSMobyDchsnyyXBuUe2FSQWbxhtuHB8jwpHYYevVo2UJpcmvvjrbHboUUQ==",
+ "version": "2.6.5",
+ "resolved": "https://registry.npmjs.org/bare-stream/-/bare-stream-2.6.5.tgz",
+ "integrity": "sha512-jSmxKJNJmHySi6hC42zlZnq00rga4jjxcgNZjY9N5WlOe/iOoGRtdwGsHzQv2RlH2KOYMwGUXhf2zXd32BA9RA==",
"dev": true,
+ "license": "Apache-2.0",
"optional": true,
"dependencies": {
- "streamx": "^2.18.0"
+ "streamx": "^2.21.0"
+ },
+ "peerDependencies": {
+ "bare-buffer": "*",
+ "bare-events": "*"
+ },
+ "peerDependenciesMeta": {
+ "bare-buffer": {
+ "optional": true
+ },
+ "bare-events": {
+ "optional": true
+ }
}
},
"node_modules/base64-js": {
@@ -683,33 +697,62 @@
}
},
"node_modules/body-parser": {
- "version": "1.20.2",
- "resolved": "https://registry.npmjs.org/body-parser/-/body-parser-1.20.2.tgz",
- "integrity": "sha512-ml9pReCu3M61kGlqoTm2umSXTlRTuGTx0bfYj+uIUKKYycG5NtSbeetV3faSU6R7ajOPw0g/J1PvK4qNy7s5bA==",
+ "version": "1.20.4",
+ "resolved": "https://registry.npmjs.org/body-parser/-/body-parser-1.20.4.tgz",
+ "integrity": "sha512-ZTgYYLMOXY9qKU/57FAo8F+HA2dGX7bqGc71txDRC1rS4frdFI5R7NhluHxH6M0YItAP0sHB4uqAOcYKxO6uGA==",
"dev": true,
"dependencies": {
- "bytes": "3.1.2",
+ "bytes": "~3.1.2",
"content-type": "~1.0.5",
"debug": "2.6.9",
"depd": "2.0.0",
- "destroy": "1.2.0",
- "http-errors": "2.0.0",
- "iconv-lite": "0.4.24",
- "on-finished": "2.4.1",
- "qs": "6.11.0",
- "raw-body": "2.5.2",
+ "destroy": "~1.2.0",
+ "http-errors": "~2.0.1",
+ "iconv-lite": "~0.4.24",
+ "on-finished": "~2.4.1",
+ "qs": "~6.14.0",
+ "raw-body": "~2.5.3",
"type-is": "~1.6.18",
- "unpipe": "1.0.0"
+ "unpipe": "~1.0.0"
},
"engines": {
"node": ">= 0.8",
"npm": "1.2.8000 || >= 1.4.16"
}
},
+ "node_modules/body-parser/node_modules/http-errors": {
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"funding": {
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"dev": true,
+ "license": "MIT",
"engines": {
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- "resolved": "https://registry.npmjs.org/uri-js/-/uri-js-4.4.1.tgz",
- "integrity": "sha512-7rKUyy33Q1yc98pQ1DAmLtwX109F7TIfWlW1Ydo8Wl1ii1SeHieeh0HHfPeL2fMXK6z0s8ecKs9frCuLJvndBg==",
- "dev": true,
- "dependencies": {
- "punycode": "^2.1.0"
- }
- },
"node_modules/urlpattern-polyfill": {
"version": "10.0.0",
"resolved": "https://registry.npmjs.org/urlpattern-polyfill/-/urlpattern-polyfill-10.0.0.tgz",
diff --git a/package.json b/package.json
index 02213de1..cd5cd7dd 100644
--- a/package.json
+++ b/package.json
@@ -1,8 +1,8 @@
{
- "name": "readium-css",
+ "name": "@readium/css",
"description": "A set of reference stylesheets for EPUB Reading Systems",
- "version": "1.1.0",
- "homepage": "https://github.com/readium/readium-css",
+ "version": "2.0.0",
+ "homepage": "https://github.com/readium/css",
"license": "BSD-3-Clause",
"keywords": [
"epub",
@@ -18,20 +18,26 @@
},
"repository": {
"type": "git",
- "url": "https://github.com/readium/readium-css.git"
+ "url": "https://github.com/readium/css.git"
},
"bugs": {
- "url": "https://github.com/readium/readium-css/issues"
+ "url": "https://github.com/readium/css/issues"
},
- "main": "css/ReadiumCSS-config.css",
+ "files": [
+ "css/**/*",
+ "!css/*.js",
+ "!css/demo/**/*",
+ "!css/src/**/*",
+ "!css/ReadiumCSS-config.css"
+ ],
"devDependencies": {
+ "@daltontan/postcss-import-json": "^1.1.1",
"backstopjs": "^6.3.23",
"copyfiles": "^2.4.1",
- "express": "^4.19.1",
+ "express": "^4.21.1",
"postcss-alter-property-value": "^1.1.3",
"postcss-cli": "^11.0.0",
"postcss-css-variables": "^0.19.0",
- "postcss-custom-media": "^10.0.4",
"postcss-custom-selectors": "^6.0.3",
"postcss-discard-comments": "^6.0.2",
"postcss-header": "^3.0.3",
@@ -40,14 +46,15 @@
"stylelint": "^16.4.0"
},
"scripts": {
- "build": "npm run build:ltr && npm run build:rtl && npm run build:cjk && npm run build:vertical && npm run copyPatches",
+ "build": "npm run build:ltr && npm run build:rtl && npm run build:cjk && npm run build:vertical && npm run build:web && npm run copyPatches",
+ "build:web": "postcss css/src/ReadiumCSS-webPub.css -o css/dist/webPub/ReadiumCSS-webPub.css",
"build:ltr": "postcss css/src/ReadiumCSS-before.css -o css/dist/ReadiumCSS-before.css && postcss css/src/ReadiumCSS-default.css -o css/dist/ReadiumCSS-default.css && postcss css/src/ReadiumCSS-after.css -o css/dist/ReadiumCSS-after.css",
"build:rtl": "postcss css/src/ReadiumCSS-before-rtl.css -o css/dist/rtl/ReadiumCSS-before.css && postcss css/src/ReadiumCSS-default-rtl.css -o css/dist/rtl/ReadiumCSS-default.css && postcss css/src/ReadiumCSS-after-rtl.css -o css/dist/rtl/ReadiumCSS-after.css",
"build:cjk": "postcss css/src/ReadiumCSS-before-cjk-horizontal.css -o css/dist/cjk-horizontal/ReadiumCSS-before.css && postcss css/src/ReadiumCSS-default-cjk-horizontal.css -o css/dist/cjk-horizontal/ReadiumCSS-default.css && postcss css/src/ReadiumCSS-after-cjk-horizontal.css -o css/dist/cjk-horizontal/ReadiumCSS-after.css",
"build:vertical": "postcss css/src/ReadiumCSS-before-cjk-vertical.css -o css/dist/cjk-vertical/ReadiumCSS-before.css && postcss css/src/ReadiumCSS-default-cjk-vertical.css -o css/dist/cjk-vertical/ReadiumCSS-default.css && postcss css/src/ReadiumCSS-after-cjk-vertical.css -o css/dist/cjk-vertical/ReadiumCSS-after.css",
- "copyPatches": "copyfiles -f css/src/ReadiumCSS-ebpaj_fonts_patch.css css/dist",
+ "copyPatches": "copyfiles -u 2 css/src/ReadiumCSS-ebpaj_fonts_patch.css css/dist",
"start": "node \"./server.js\"",
- "test": "npm start & backstop test && pkill -9 -f \"node ./server.js\" && echo '\nVisual Regression testing has been completed.\n'",
+ "test": "npm run build && (npm start & for i in {1..10}; do if curl -s http://localhost:8000 >/dev/null; then backstop test; pkill -f \"node ./server.js\"; echo '\\nVisual Regression testing has been completed.\\n'; exit 0; fi; sleep 1; done; echo 'Failed to start server'; exit 1)",
"test:ref": "npm start & backstop reference && pkill -9 -f \"node ./server.js\" && echo '\nVisual Regression references have been generated.\n'",
"test:approve": "backstop approve"
}
diff --git a/server.js b/server.js
index f6e2dee3..4c29095e 100644
--- a/server.js
+++ b/server.js
@@ -14,4 +14,6 @@ httpServer.listen(httpPort, (err) => {
});
app.use("/tests", express.static(__dirname + "/tests"));
-app.use("/css/dist", express.static(__dirname + "/css/dist"));
\ No newline at end of file
+app.use("/css/demo", express.static(__dirname + "/css/demo"));
+app.use("/css/dist", express.static(__dirname + "/css/dist"));
+app.use("/docs/utils", express.static(__dirname + "/docs/utils"));
\ No newline at end of file
diff --git a/tests/a11y-custom.html b/tests/a11y-custom.html
index 5b8fd0a1..70d08275 100644
--- a/tests/a11y-custom.html
+++ b/tests/a11y-custom.html
@@ -1,5 +1,5 @@
-
+
Test
diff --git a/tests/a11y-font.html b/tests/a11y-font.html
index add94cfd..91e33d5a 100644
--- a/tests/a11y-font.html
+++ b/tests/a11y-font.html
@@ -1,5 +1,5 @@
-
+
Test
diff --git a/tests/a11y-normalize.html b/tests/a11y-normalize.html
index 2dea8398..7495857e 100644
--- a/tests/a11y-normalize.html
+++ b/tests/a11y-normalize.html
@@ -1,5 +1,5 @@
-
+
Test
diff --git a/tests/arabic-ligatures.html b/tests/arabic-ligatures.html
index 209c2699..eb15635e 100644
--- a/tests/arabic-ligatures.html
+++ b/tests/arabic-ligatures.html
@@ -1,5 +1,5 @@
-
+
Test
diff --git a/tests/assets/fonts/Amstelvar-Roman.ttf b/tests/assets/fonts/Amstelvar-Roman.ttf
new file mode 100644
index 00000000..062b4a45
Binary files /dev/null and b/tests/assets/fonts/Amstelvar-Roman.ttf differ
diff --git a/css/dist/fonts/LICENSE-AccessibleDfa b/tests/assets/fonts/Amstelvar-license.txt
old mode 100755
new mode 100644
similarity index 96%
rename from css/dist/fonts/LICENSE-AccessibleDfa
rename to tests/assets/fonts/Amstelvar-license.txt
index bf56c051..b5b20c88
--- a/css/dist/fonts/LICENSE-AccessibleDfa
+++ b/tests/assets/fonts/Amstelvar-license.txt
@@ -1,95 +1,93 @@
-Copyright (c) Orange 2015, www.orange.com
-with Reserved Font Name Accessible-Dfa.
-
-This Font Software is licensed under the SIL Open Font License, Version 1.1.
-This license is copied below, and is also available with a FAQ at:
-http://scripts.sil.org/OFL
-
-
------------------------------------------------------------
-SIL OPEN FONT LICENSE Version 1.1 - 26 February 2007
------------------------------------------------------------
-
-PREAMBLE
-The goals of the Open Font License (OFL) are to stimulate worldwide
-development of collaborative font projects, to support the font creation
-efforts of academic and linguistic communities, and to provide a free and
-open framework in which fonts may be shared and improved in partnership
-with others.
-
-The OFL allows the licensed fonts to be used, studied, modified and
-redistributed freely as long as they are not sold by themselves. The
-fonts, including any derivative works, can be bundled, embedded,
-redistributed and/or sold with any software provided that any reserved
-names are not used by derivative works. The fonts and derivatives,
-however, cannot be released under any other type of license. The
-requirement for fonts to remain under this license does not apply
-to any document created using the fonts or their derivatives.
-
-DEFINITIONS
-"Font Software" refers to the set of files released by the Copyright
-Holder(s) under this license and clearly marked as such. This may
-include source files, build scripts and documentation.
-
-"Reserved Font Name" refers to any names specified as such after the
-copyright statement(s).
-
-"Original Version" refers to the collection of Font Software components as
-distributed by the Copyright Holder(s).
-
-"Modified Version" refers to any derivative made by adding to, deleting,
-or substituting -- in part or in whole -- any of the components of the
-Original Version, by changing formats or by porting the Font Software to a
-new environment.
-
-"Author" refers to any designer, engineer, programmer, technical
-writer or other person who contributed to the Font Software.
-
-PERMISSION & CONDITIONS
-Permission is hereby granted, free of charge, to any person obtaining
-a copy of the Font Software, to use, study, copy, merge, embed, modify,
-redistribute, and sell modified and unmodified copies of the Font
-Software, subject to the following conditions:
-
-1) Neither the Font Software nor any of its individual components,
-in Original or Modified Versions, may be sold by itself.
-
-2) Original or Modified Versions of the Font Software may be bundled,
-redistributed and/or sold with any software, provided that each copy
-contains the above copyright notice and this license. These can be
-included either as stand-alone text files, human-readable headers or
-in the appropriate machine-readable metadata fields within text or
-binary files as long as those fields can be easily viewed by the user.
-
-3) No Modified Version of the Font Software may use the Reserved Font
-Name(s) unless explicit written permission is granted by the corresponding
-Copyright Holder. This restriction only applies to the primary font name as
-presented to the users.
-
-4) The name(s) of the Copyright Holder(s) or the Author(s) of the Font
-Software shall not be used to promote, endorse or advertise any
-Modified Version, except to acknowledge the contribution(s) of the
-Copyright Holder(s) and the Author(s) or with their explicit written
-permission.
-
-5) The Font Software, modified or unmodified, in part or in whole,
-must be distributed entirely under this license, and must not be
-distributed under any other license. The requirement for fonts to
-remain under this license does not apply to any document created
-using the Font Software.
-
-TERMINATION
-This license becomes null and void if any of the above conditions are
-not met.
-
-DISCLAIMER
-THE FONT SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND,
-EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO ANY WARRANTIES OF
-MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT
-OF COPYRIGHT, PATENT, TRADEMARK, OR OTHER RIGHT. IN NO EVENT SHALL THE
-COPYRIGHT HOLDER BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY,
-INCLUDING ANY GENERAL, SPECIAL, INDIRECT, INCIDENTAL, OR CONSEQUENTIAL
-DAMAGES, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING
-FROM, OUT OF THE USE OR INABILITY TO USE THE FONT SOFTWARE OR FROM
-OTHER DEALINGS IN THE FONT SOFTWARE.
-
+Copyright 2016 The Amstelvar Project Authors (info@fontbureau.com)
+
+This Font Software is licensed under the SIL Open Font License, Version 1.1.
+This license is copied below, and is also available with a FAQ at:
+http://scripts.sil.org/OFL
+
+
+-----------------------------------------------------------
+SIL OPEN FONT LICENSE Version 1.1 - 26 February 2007
+-----------------------------------------------------------
+
+PREAMBLE
+The goals of the Open Font License (OFL) are to stimulate worldwide
+development of collaborative font projects, to support the font creation
+efforts of academic and linguistic communities, and to provide a free and
+open framework in which fonts may be shared and improved in partnership
+with others.
+
+The OFL allows the licensed fonts to be used, studied, modified and
+redistributed freely as long as they are not sold by themselves. The
+fonts, including any derivative works, can be bundled, embedded,
+redistributed and/or sold with any software provided that any reserved
+names are not used by derivative works. The fonts and derivatives,
+however, cannot be released under any other type of license. The
+requirement for fonts to remain under this license does not apply
+to any document created using the fonts or their derivatives.
+
+DEFINITIONS
+"Font Software" refers to the set of files released by the Copyright
+Holder(s) under this license and clearly marked as such. This may
+include source files, build scripts and documentation.
+
+"Reserved Font Name" refers to any names specified as such after the
+copyright statement(s).
+
+"Original Version" refers to the collection of Font Software components as
+distributed by the Copyright Holder(s).
+
+"Modified Version" refers to any derivative made by adding to, deleting,
+or substituting -- in part or in whole -- any of the components of the
+Original Version, by changing formats or by porting the Font Software to a
+new environment.
+
+"Author" refers to any designer, engineer, programmer, technical
+writer or other person who contributed to the Font Software.
+
+PERMISSION & CONDITIONS
+Permission is hereby granted, free of charge, to any person obtaining
+a copy of the Font Software, to use, study, copy, merge, embed, modify,
+redistribute, and sell modified and unmodified copies of the Font
+Software, subject to the following conditions:
+
+1) Neither the Font Software nor any of its individual components,
+in Original or Modified Versions, may be sold by itself.
+
+2) Original or Modified Versions of the Font Software may be bundled,
+redistributed and/or sold with any software, provided that each copy
+contains the above copyright notice and this license. These can be
+included either as stand-alone text files, human-readable headers or
+in the appropriate machine-readable metadata fields within text or
+binary files as long as those fields can be easily viewed by the user.
+
+3) No Modified Version of the Font Software may use the Reserved Font
+Name(s) unless explicit written permission is granted by the corresponding
+Copyright Holder. This restriction only applies to the primary font name as
+presented to the users.
+
+4) The name(s) of the Copyright Holder(s) or the Author(s) of the Font
+Software shall not be used to promote, endorse or advertise any
+Modified Version, except to acknowledge the contribution(s) of the
+Copyright Holder(s) and the Author(s) or with their explicit written
+permission.
+
+5) The Font Software, modified or unmodified, in part or in whole,
+must be distributed entirely under this license, and must not be
+distributed under any other license. The requirement for fonts to
+remain under this license does not apply to any document created
+using the Font Software.
+
+TERMINATION
+This license becomes null and void if any of the above conditions are
+not met.
+
+DISCLAIMER
+THE FONT SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND,
+EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO ANY WARRANTIES OF
+MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT
+OF COPYRIGHT, PATENT, TRADEMARK, OR OTHER RIGHT. IN NO EVENT SHALL THE
+COPYRIGHT HOLDER BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY,
+INCLUDING ANY GENERAL, SPECIAL, INDIRECT, INCIDENTAL, OR CONSEQUENTIAL
+DAMAGES, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING
+FROM, OUT OF THE USE OR INABILITY TO USE THE FONT SOFTWARE OR FROM
+OTHER DEALINGS IN THE FONT SOFTWARE.
diff --git a/tests/assets/fonts/Amstelvar.css b/tests/assets/fonts/Amstelvar.css
new file mode 100644
index 00000000..082231d0
--- /dev/null
+++ b/tests/assets/fonts/Amstelvar.css
@@ -0,0 +1,7 @@
+@font-face {
+ font-family: "Amstelvar";
+ src: url(Amstelvar-Roman.ttf) format("truetype");
+ font-stretch: 50% 125%;
+ font-style: normal;
+ font-weight: 100 1000;
+}
\ No newline at end of file
diff --git a/css/demo/css/fonts/LICENSE-AccessibleDfa b/tests/assets/fonts/RobotoFlex-license.txt
old mode 100755
new mode 100644
similarity index 97%
rename from css/demo/css/fonts/LICENSE-AccessibleDfa
rename to tests/assets/fonts/RobotoFlex-license.txt
index bf56c051..5530c572
--- a/css/demo/css/fonts/LICENSE-AccessibleDfa
+++ b/tests/assets/fonts/RobotoFlex-license.txt
@@ -1,5 +1,4 @@
-Copyright (c) Orange 2015, www.orange.com
-with Reserved Font Name Accessible-Dfa.
+Copyright 2011 The Roboto Flex Project Authors (https://github.com/googlefonts/roboto-flex)
This Font Software is licensed under the SIL Open Font License, Version 1.1.
This license is copied below, and is also available with a FAQ at:
@@ -92,4 +91,3 @@ INCLUDING ANY GENERAL, SPECIAL, INDIRECT, INCIDENTAL, OR CONSEQUENTIAL
DAMAGES, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING
FROM, OUT OF THE USE OR INABILITY TO USE THE FONT SOFTWARE OR FROM
OTHER DEALINGS IN THE FONT SOFTWARE.
-
diff --git a/tests/assets/fonts/RobotoFlex.css b/tests/assets/fonts/RobotoFlex.css
new file mode 100644
index 00000000..e64a71d2
--- /dev/null
+++ b/tests/assets/fonts/RobotoFlex.css
@@ -0,0 +1,7 @@
+@font-face {
+ font-family: "RobotoFlex";
+ src: url(RobotoFlex.ttf) format("truetype");
+ font-stretch: 25% 151%;
+ font-style: normal;
+ font-weight: 100 1000;
+}
\ No newline at end of file
diff --git a/tests/assets/fonts/RobotoFlex.ttf b/tests/assets/fonts/RobotoFlex.ttf
new file mode 100644
index 00000000..c1d8ff7c
Binary files /dev/null and b/tests/assets/fonts/RobotoFlex.ttf differ
diff --git a/tests/base.html b/tests/base.html
index 71679244..15f92bea 100644
--- a/tests/base.html
+++ b/tests/base.html
@@ -14,9 +14,9 @@
CHAPTER 1. Loomings.
Call me Ishmael. Some years ago—never mind how long precisely—having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people’s hats off—then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this. If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me.
-
+
- The image above should blend in sepia mode and inverted in night mode.
+ The image above can be used to test gaiji.
There now is your insular city of the Manhattoes, belted round by wharves as Indian isles by coral reefs—commerce surrounds it with her surf. Right and left, the streets take you waterward. Its extreme downtown is the battery, where that noble mole is washed by waves, and cooled by breezes, which a few hours previous were out of sight of land. Look at the crowds of water-gazers there.
Call me Ishmael. Some years ago—never mind how long precisely—having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people’s hats off—then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this. If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me.
+
+
+
+
+ The image above should blend with the background-color.
+
+
+
There now is your insular city of the Manhattoes, belted round by wharves as Indian isles by coral reefs—commerce surrounds it with her surf. Right and left, the streets take you waterward. Its extreme downtown is the battery, where that noble mole is washed by waves, and cooled by breezes, which a few hours previous were out of sight of land. Look at the crowds of water-gazers there.
+
+
\ No newline at end of file
diff --git a/tests/sepia.html b/tests/cols-3.html
similarity index 61%
rename from tests/sepia.html
rename to tests/cols-3.html
index 44d0aba4..37845395 100644
--- a/tests/sepia.html
+++ b/tests/cols-3.html
@@ -1,5 +1,5 @@
-
+
Test
@@ -9,50 +9,14 @@
-
-
CHAPTER 1. Loomings.
Call me Ishmael. Some years ago—never mind how long precisely—having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people’s hats off—then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this. If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me.
-
-
-
- The image above should blend in sepia mode and inverted in night mode.
-
-
There now is your insular city of the Manhattoes, belted round by wharves as Indian isles by coral reefs—commerce surrounds it with her surf. Right and left, the streets take you waterward. Its extreme downtown is the battery, where that noble mole is washed by waves, and cooled by breezes, which a few hours previous were out of sight of land. Look at the crowds of water-gazers there.
Circumambulate the city of a dreamy Sabbath afternoon. Go from Corlears Hook to Coenties Slip, and from thence, by Whitehall, northward. What do you see?—Posted like silent sentinels all around the town, stand thousands upon thousands of mortal men fixed in ocean reveries. Some leaning against the spiles; some seated upon the pier-heads; some looking over the bulwarks of ships from China; some high aloft in the rigging, as if striving to get a still better seaward peep. But these are all landsmen; of week days pent up in lath and plaster—tied to counters, nailed to benches, clinched to desks. How then is this? Are the green fields gone? What do they here?
But look! here come more crowds, pacing straight for the water, and seemingly bound for a dive. Strange! Nothing will content them but the extremest limit of the land; loitering under the shady lee of yonder warehouses will not suffice. No. They must get just as nigh the water as they possibly can without falling in. And there they stand—miles of them—leagues. Inlanders all, they come from lanes and alleys, streets and avenues—north, east, south, and west. Yet here they all unite. Tell me, does the magnetic virtue of the needles of the compasses of all those ships attract them thither?
Once more. Say you are in the country; in some high land of lakes. Take almost any path you please, and ten to one it carries you down in a dale, and leaves you there by a pool in the stream. There is magic in it. Let the most absent-minded of men be plunged in his deepest reveries—stand that man on his legs, set his feet a-going, and he will infallibly lead you to water, if water there be in all that region. Should you ever be athirst in the great American desert, try this experiment, if your caravan happen to be supplied with a metaphysical professor. Yes, as every one knows, meditation and water are wedded for ever.
Again, I always go to sea as a sailor, because they make a point of paying me for my trouble, whereas they never pay passengers a single penny that I ever heard of. On the contrary, passengers themselves must pay. And there is all the difference in the world between paying and being paid. The act of paying is perhaps the most uncomfortable infliction that the two orchard thieves entailed upon us. But being paid,—what will compare with it? The urbane activity with which a man receives money is really marvellous, considering that we so earnestly believe money to be the root of all earthly ills, and that on no account can a monied man enter heaven. Ah! how cheerfully we consign ourselves to perdition!
-
+
Finally, I always go to sea as a sailor, because of the wholesome exercise and pure air of the fore-castle deck. For as in this world, head winds are far more prevalent than winds from astern (that is, if you never violate the Pythagorean maxim), so for the most part the Commodore on the quarter-deck gets his atmosphere at second hand from the sailors on the forecastle. He thinks he breathes it first; but not so. In much the same way do the commonalty lead their leaders in many other things, at the same time that the leaders little suspect it. But wherefore it was that after having repeatedly smelt the sea as a merchant sailor, I should now take it into my head to go on a whaling voyage; this the invisible police officer of the Fates, who has the constant surveillance of me, and secretly dogs me, and influences me in some unaccountable way—he can better answer than any one else. And, doubtless, my going on this whaling voyage, formed part of the grand programme of Providence that was drawn up a long time ago. It came in as a sort of brief interlude and solo between more extensive performances. I take it that this part of the bill must have run something like this:
Call me Ishmael. Some years ago—never mind how long precisely—having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people’s hats off—then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this. If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me.
+
+
+
+
+ The image above should be darkened and have a grey background.
+
+
+
There now is your insular city of the Manhattoes, belted round by wharves as Indian isles by coral reefs—commerce surrounds it with her surf. Right and left, the streets take you waterward. Its extreme downtown is the battery, where that noble mole is washed by waves, and cooled by breezes, which a few hours previous were out of sight of land. Look at the crowds of water-gazers there.
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+
\ No newline at end of file
diff --git a/tests/day.html b/tests/default-colors.html
similarity index 99%
rename from tests/day.html
rename to tests/default-colors.html
index d2b201cc..0fcef269 100644
--- a/tests/day.html
+++ b/tests/default-colors.html
@@ -40,9 +40,9 @@
CHAPTER 1. Loomings.
Call me Ishmael. Some years ago—never mind how long precisely—having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people’s hats off—then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this. If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me.
-
+
- The image above should blend in sepia mode and inverted in night mode.
+ The image above can be used to test gaiji.
There now is your insular city of the Manhattoes, belted round by wharves as Indian isles by coral reefs—commerce surrounds it with her surf. Right and left, the streets take you waterward. Its extreme downtown is the battery, where that noble mole is washed by waves, and cooled by breezes, which a few hours previous were out of sight of land. Look at the crowds of water-gazers there.
diff --git a/tests/night.html b/tests/default-custom-colors.html
similarity index 84%
rename from tests/night.html
rename to tests/default-custom-colors.html
index 577b338e..d3551d69 100644
--- a/tests/night.html
+++ b/tests/default-custom-colors.html
@@ -1,5 +1,5 @@
-
+
Test
@@ -40,20 +40,30 @@
CHAPTER 1. Loomings.
Call me Ishmael. Some years ago—never mind how long precisely—having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people’s hats off—then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this. If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me.
-
+
- The image above should blend in sepia mode and inverted in night mode.
+ The image above can be used to test gaiji.
There now is your insular city of the Manhattoes, belted round by wharves as Indian isles by coral reefs—commerce surrounds it with her surf. Right and left, the streets take you waterward. Its extreme downtown is the battery, where that noble mole is washed by waves, and cooled by breezes, which a few hours previous were out of sight of land. Look at the crowds of water-gazers there.
Circumambulate the city of a dreamy Sabbath afternoon. Go from Corlears Hook to Coenties Slip, and from thence, by Whitehall, northward. What do you see?—Posted like silent sentinels all around the town, stand thousands upon thousands of mortal men fixed in ocean reveries. Some leaning against the spiles; some seated upon the pier-heads; some looking over the bulwarks of ships from China; some high aloft in the rigging, as if striving to get a still better seaward peep. But these are all landsmen; of week days pent up in lath and plaster—tied to counters, nailed to benches, clinched to desks. How then is this? Are the green fields gone? What do they here?
But look! here come more crowds, pacing straight for the water, and seemingly bound for a dive. Strange! Nothing will content them but the extremest limit of the land; loitering under the shady lee of yonder warehouses will not suffice. No. They must get just as nigh the water as they possibly can without falling in. And there they stand—miles of them—leagues. Inlanders all, they come from lanes and alleys, streets and avenues—north, east, south, and west. Yet here they all unite. Tell me, does the magnetic virtue of the needles of the compasses of all those ships attract them thither?
+
But look! here come more crowds, pacing straight for the water, and seemingly bound for a dive. Strange! Nothing will content them but the extremest limit of the land; loitering under the shady lee of yonder warehouses will not suffice. No. They must get just as nigh the water as they possibly can without falling in. And there they stand—miles of them—leagues. Inlanders all, they come from lanes and alleys, streets and avenues—north, east, south, and west. Yet here they all unite. Tell me, does the magnetic virtue of the needles of the compasses of all those ships attract them thither? 日本語
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+
+
List item 1;
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List item 2;
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List item 3.
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Once more. Say you are in the country; in some high land of lakes. Take almost any path you please, and ten to one it carries you down in a dale, and leaves you there by a pool in the stream. There is magic in it. Let the most absent-minded of men be plunged in his deepest reveries—stand that man on his legs, set his feet a-going, and he will infallibly lead you to water, if water there be in all that region. Should you ever be athirst in the great American desert, try this experiment, if your caravan happen to be supplied with a metaphysical professor. Yes, as every one knows, meditation and water are wedded for ever.
But here is an artist. He desires to paint you the dreamiest, shadiest, quietest, most enchanting bit of romantic landscape in all the valley of the Saco. What is the chief element he employs? There stand his trees, each with a hollow trunk, as if a hermit and a crucifix were within; and here sleeps his meadow, and there sleep his cattle; and up from yonder cottage goes a sleepy smoke. Deep into distant woodlands winds a mazy way, reaching to overlapping spurs of mountains bathed in their hill-side blue. But though the picture lies thus tranced, and though this pine-tree shakes down its sighs like leaves upon this shepherd’s head, yet all were vain, unless the shepherd’s eye were fixed upon the magic stream before him. Go visit the Prairies in June, when for scores on scores of miles you wade knee-deep among Tiger-lilies—what is the one charm wanting?—Water—there is not a drop of water there! Were Niagara but a cataract of sand, would you travel your thousand miles to see it? Why did the poor poet of Tennessee, upon suddenly receiving two handfuls of silver, deliberate whether to buy him a coat, which he sadly needed, or invest his money in a pedestrian trip to Rockaway Beach? Why is almost every robust healthy boy with a robust healthy soul in him, at some time or other crazy to go to sea? Why upon your first voyage as a passenger, did you yourself feel such a mystical vibration, when first told that you and your ship were now out of sight of land? Why did the old Persians hold the sea holy? Why did the Greeks give it a separate deity, and own brother of Jove? Surely all this is not without meaning. And still deeper the meaning of that story of Narcissus, who because he could not grasp the tormenting, mild image he saw in the fountain, plunged into it and was drowned. But that same image, we ourselves see in all rivers and oceans. It is the image of the ungraspable phantom of life; and this is the key to it all.
+
+
Artist
+
+
He desires to paint you the dreamiest, shadiest, quietest, most enchanting bit of romantic landscape in all the valley of the Saco. What is the chief element he employs? There stand his trees, each with a hollow trunk, as if a hermit and a crucifix were within; and here sleeps his meadow, and there sleep his cattle; and up from yonder cottage goes a sleepy smoke. Deep into distant woodlands winds a mazy way, reaching to overlapping spurs of mountains bathed in their hill-side blue. But though the picture lies thus tranced, and though this pine-tree shakes down its sighs like leaves upon this shepherd’s head, yet all were vain, unless the shepherd’s eye were fixed upon the magic stream before him. Go visit the Prairies in June, when for scores on scores of miles you wade knee-deep among Tiger-lilies—what is the one charm wanting?—Water—there is not a drop of water there! Were Niagara but a cataract of sand, would you travel your thousand miles to see it? Why did the poor poet of Tennessee, upon suddenly receiving two handfuls of silver, deliberate whether to buy him a coat, which he sadly needed, or invest his money in a pedestrian trip to Rockaway Beach? Why is almost every robust healthy boy with a robust healthy soul in him, at some time or other crazy to go to sea? Why upon your first voyage as a passenger, did you yourself feel such a mystical vibration, when first told that you and your ship were now out of sight of land? Why did the old Persians hold the sea holy? Why did the Greeks give it a separate deity, and own brother of Jove? Surely all this is not without meaning. And still deeper the meaning of that story of Narcissus, who because he could not grasp the tormenting, mild image he saw in the fountain, plunged into it and was drowned. But that same image, we ourselves see in all rivers and oceans. It is the image of the ungraspable phantom of life; and this is the key to it all.
+
Now, when I say that I am in the habit of going to sea whenever I begin to grow hazy about the eyes, and begin to be over conscious of my lungs, I do not mean to have it inferred that I ever go to sea as a passenger. For to go as a passenger you must needs have a purse, and a purse is but a rag unless you have something in it. Besides, passengers get sea-sick—grow quarrelsome—don’t sleep of nights—do not enjoy themselves much, as a general thing;—no, I never go as a passenger; nor, though I am something of a salt, do I ever go to sea as a Commodore, or a Captain, or a Cook. I abandon the glory and distinction of such offices to those who like them. For my part, I abominate all honourable respectable toils, trials, and tribulations of every kind whatsoever. It is quite as much as I can do to take care of myself, without taking care of ships, barques, brigs, schooners, and what not. And as for going as cook,—though I confess there is considerable glory in that, a cook being a sort of officer on ship-board—yet, somehow, I never fancied broiling fowls;—though once broiled, judiciously buttered, and judgmatically salted and peppered, there is no one who will speak more respectfully, not to say reverentially, of a broiled fowl than I will. It is out of the idolatrous dotings of the old Egyptians upon broiled ibis and roasted river horse, that you see the mummies of those creatures in their huge bake-houses the pyramids.
Call me Ishmael. Some years ago—never mind how long precisely—having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people’s hats off—then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this. If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me.
-
+
- The image above should blend in sepia mode and inverted in night mode.
+ The image above can be used to test gaiji.
There now is your insular city of the Manhattoes, belted round by wharves as Indian isles by coral reefs—commerce surrounds it with her surf. Right and left, the streets take you waterward. Its extreme downtown is the battery, where that noble mole is washed by waves, and cooled by breezes, which a few hours previous were out of sight of land. Look at the crowds of water-gazers there.
Call me Ishmael. Some years ago—never mind how long precisely—having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people’s hats off—then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this. If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me.
+
+
+
+
CHAPTER 1. Loomings. (setting on)
+
+
Call me Ishmael. Some years ago—never mind how long precisely—having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people’s hats off—then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this. If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me.
+
+
+
\ No newline at end of file
diff --git a/tests/font-size-deprecated.html b/tests/font-size-deprecated.html
new file mode 100644
index 00000000..baa372bb
--- /dev/null
+++ b/tests/font-size-deprecated.html
@@ -0,0 +1,51 @@
+
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+ Test
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Heading 1
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+
Text. Smaller text. Text followed by sup.[1]
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Heading 2
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List item 1;
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List item 2;
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List item 3.
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Heading 3
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+ This is an aside.
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Heading 4
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+
+
Artist
+
+
He desires to paint you the dreamiest, shadiest, quietest, most enchanting bit of romantic landscape in all the valley of the Saco. What is the chief element he employs? There stand his trees, each with a hollow trunk, as if a hermit and a crucifix were within; and here sleeps his meadow, and there sleep his cattle; and up from yonder cottage goes a sleepy smoke.
Call me Ishmael. Some years ago—never mind how long precisely—having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people’s hats off—then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this. If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me.
+
+
\ No newline at end of file
diff --git a/tests/font-size-normalize.html b/tests/font-size-normalize.html
new file mode 100644
index 00000000..cac84062
--- /dev/null
+++ b/tests/font-size-normalize.html
@@ -0,0 +1,55 @@
+
+
+
+ Test
+
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+
Heading 1
+
+
Text. Smaller text. Text followed by sup.[1]
+
+
Heading 2
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+
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List item 1;
+
List item 2;
+
List item 3.
+
+
+
Heading 3
+
+
+ This is an aside.
+
+
+
Heading 4
+
+
+
Artist
+
+
He desires to paint you the dreamiest, shadiest, quietest, most enchanting bit of romantic landscape in all the valley of the Saco. What is the chief element he employs? There stand his trees, each with a hollow trunk, as if a hermit and a crucifix were within; and here sleeps his meadow, and there sleep his cattle; and up from yonder cottage goes a sleepy smoke.
Call me Ishmael. Some years ago—never mind how long precisely—having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people’s hats off—then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this. If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me.
+
+
\ No newline at end of file
diff --git a/tests/font-size.html b/tests/font-size.html
index a31086db..c20525fa 100644
--- a/tests/font-size.html
+++ b/tests/font-size.html
@@ -1,5 +1,5 @@
-
+
Test
diff --git a/tests/font-weight.html b/tests/font-weight.html
new file mode 100644
index 00000000..c079c9f0
--- /dev/null
+++ b/tests/font-weight.html
@@ -0,0 +1,25 @@
+
+
+
+ Test
+
+
+
+
+
+
+
+
+
+
CHAPTER 1. Loomings. (setting off)
+
+
Call me Ishmael. Some years ago—never mind how long precisely—having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people’s hats off—then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this. If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me.
+
+
+
+
CHAPTER 1. Loomings. (setting on)
+
+
Call me Ishmael. Some years ago—never mind how long precisely—having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people’s hats off—then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this. If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me.
+
+
+
\ No newline at end of file
diff --git a/tests/font-width-keyword.html b/tests/font-width-keyword.html
new file mode 100644
index 00000000..1565dc24
--- /dev/null
+++ b/tests/font-width-keyword.html
@@ -0,0 +1,25 @@
+
+
+
+ Test
+
+
+
+
+
+
+
+
+
+
CHAPTER 1. Loomings. (setting off)
+
+
Call me Ishmael. Some years ago—never mind how long precisely—having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people’s hats off—then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this. If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me.
+
+
+
+
CHAPTER 1. Loomings. (setting on)
+
+
Call me Ishmael. Some years ago—never mind how long precisely—having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people’s hats off—then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this. If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me.
+
+
+
\ No newline at end of file
diff --git a/tests/font-width-percentage.html b/tests/font-width-percentage.html
new file mode 100644
index 00000000..989b1029
--- /dev/null
+++ b/tests/font-width-percentage.html
@@ -0,0 +1,25 @@
+
+
+
+ Test
+
+
+
+
+
+
+
+
+
+
CHAPTER 1. Loomings. (setting off)
+
+
Call me Ishmael. Some years ago—never mind how long precisely—having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people’s hats off—then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this. If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me.
+
+
+
+
CHAPTER 1. Loomings. (setting on)
+
+
Call me Ishmael. Some years ago—never mind how long precisely—having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people’s hats off—then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this. If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me.
+
+
+
\ No newline at end of file
diff --git a/tests/hyphens.html b/tests/hyphens.html
index 4d2e0627..4e4ef977 100644
--- a/tests/hyphens.html
+++ b/tests/hyphens.html
@@ -1,5 +1,5 @@
-
+
Test
@@ -24,11 +24,11 @@
CHAPTER 1. Loomings.
in this. If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings
towards the ocean with me.
-
-
-
- The image above should blend in sepia mode and inverted in night mode.
-
+
+
+
+ The image above can be used to test gaiji.
+
There now is your insular city of the Manhattoes, belted round by wharves as Indian isles by coral reefs—commerce surrounds
it with her surf. Right and left, the streets take you waterward. Its extreme downtown is the battery, where that noble
diff --git a/tests/invert-filter.html b/tests/invert-filter.html
new file mode 100644
index 00000000..1f9b0fd2
--- /dev/null
+++ b/tests/invert-filter.html
@@ -0,0 +1,24 @@
+
+
+
+ Test
+
+
+
+
+
+
+
+
CHAPTER 1. Loomings.
+
+
Call me Ishmael. Some years ago—never mind how long precisely—having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people’s hats off—then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this. If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me.
+
+
+
+
+ The image above should be inverted but not totally (70%).
+
+
+
There now is your insular city of the Manhattoes, belted round by wharves as Indian isles by coral reefs—commerce surrounds it with her surf. Right and left, the streets take you waterward. Its extreme downtown is the battery, where that noble mole is washed by waves, and cooled by breezes, which a few hours previous were out of sight of land. Look at the crowds of water-gazers there.
+
+
\ No newline at end of file
diff --git a/tests/letter-spacing-cjk.html b/tests/letter-spacing-cjk.html
index 49d5c6f5..684179e5 100644
--- a/tests/letter-spacing-cjk.html
+++ b/tests/letter-spacing-cjk.html
@@ -1,5 +1,5 @@
-
+
Test
diff --git a/tests/letter-spacing.html b/tests/letter-spacing.html
index 7336878a..b6c41858 100644
--- a/tests/letter-spacing.html
+++ b/tests/letter-spacing.html
@@ -1,5 +1,5 @@
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Test
diff --git a/tests/line-height.html b/tests/line-height.html
index cfab0259..6fb64d38 100644
--- a/tests/line-height.html
+++ b/tests/line-height.html
@@ -1,5 +1,5 @@
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Test
diff --git a/tests/margins.html b/tests/line-length.html
similarity index 98%
rename from tests/margins.html
rename to tests/line-length.html
index 96f970be..bfd2f9a3 100644
--- a/tests/margins.html
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Test
diff --git a/tests/no-ruby.html b/tests/no-ruby.html
index 1a844f0a..e87ee5b1 100644
--- a/tests/no-ruby.html
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Test
diff --git a/tests/para-spacing-vertical.html b/tests/para-spacing-vertical.html
index 2b66c975..571a8fac 100644
--- a/tests/para-spacing-vertical.html
+++ b/tests/para-spacing-vertical.html
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Test
diff --git a/tests/para-spacing.html b/tests/para-spacing.html
index 2655ec3e..bd280289 100644
--- a/tests/para-spacing.html
+++ b/tests/para-spacing.html
@@ -1,5 +1,5 @@
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Test
diff --git a/tests/scroll-padding.html b/tests/scroll-padding.html
new file mode 100644
index 00000000..f297fbe2
--- /dev/null
+++ b/tests/scroll-padding.html
@@ -0,0 +1,38 @@
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+ Test
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CHAPTER 1. Loomings.
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Call me Ishmael. Some years ago—never mind how long precisely—having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people’s hats off—then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this. If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me.
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+
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+ The image above can be used to test gaiji.
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There now is your insular city of the Manhattoes, belted round by wharves as Indian isles by coral reefs—commerce surrounds it with her surf. Right and left, the streets take you waterward. Its extreme downtown is the battery, where that noble mole is washed by waves, and cooled by breezes, which a few hours previous were out of sight of land. Look at the crowds of water-gazers there.
Circumambulate the city of a dreamy Sabbath afternoon. Go from Corlears Hook to Coenties Slip, and from thence, by Whitehall, northward. What do you see?—Posted like silent sentinels all around the town, stand thousands upon thousands of mortal men fixed in ocean reveries. Some leaning against the spiles; some seated upon the pier-heads; some looking over the bulwarks of ships from China; some high aloft in the rigging, as if striving to get a still better seaward peep. But these are all landsmen; of week days pent up in lath and plaster—tied to counters, nailed to benches, clinched to desks. How then is this? Are the green fields gone? What do they here?
But look! here come more crowds, pacing straight for the water, and seemingly bound for a dive. Strange! Nothing will content them but the extremest limit of the land; loitering under the shady lee of yonder warehouses will not suffice. No. They must get just as nigh the water as they possibly can without falling in. And there they stand—miles of them—leagues. Inlanders all, they come from lanes and alleys, streets and avenues—north, east, south, and west. Yet here they all unite. Tell me, does the magnetic virtue of the needles of the compasses of all those ships attract them thither?
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Once more. Say you are in the country; in some high land of lakes. Take almost any path you please, and ten to one it carries you down in a dale, and leaves you there by a pool in the stream. There is magic in it. Let the most absent-minded of men be plunged in his deepest reveries—stand that man on his legs, set his feet a-going, and he will infallibly lead you to water, if water there be in all that region. Should you ever be athirst in the great American desert, try this experiment, if your caravan happen to be supplied with a metaphysical professor. Yes, as every one knows, meditation and water are wedded for ever.
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\ No newline at end of file
diff --git a/tests/scroll.html b/tests/scroll.html
index 1fbbdd0d..051d783e 100644
--- a/tests/scroll.html
+++ b/tests/scroll.html
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CHAPTER 1. Loomings.
Call me Ishmael. Some years ago—never mind how long precisely—having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people’s hats off—then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this. If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me.
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+
+ The image above can be used to test gaiji.
There now is your insular city of the Manhattoes, belted round by wharves as Indian isles by coral reefs—commerce surrounds it with her surf. Right and left, the streets take you waterward. Its extreme downtown is the battery, where that noble mole is washed by waves, and cooled by breezes, which a few hours previous were out of sight of land. Look at the crowds of water-gazers there.
Call me Ishmael. Some years ago—never mind how long precisely—having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people’s hats off—then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this. If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me.
Call me Ishmael. Some years ago—never mind how long precisely—having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people’s hats off—then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this. If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me.
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There now is your insular city of the Manhattoes, belted round by wharves as Indian isles by coral reefs—commerce surrounds it with her surf. Right and left, the streets take you waterward. Its extreme downtown is the battery, where that noble mole is washed by waves, and cooled by breezes, which a few hours previous were out of sight of land. Look at the crowds of water-gazers there.
Circumambulate the city of a dreamy Sabbath afternoon. Go from Corlears Hook to Coenties Slip, and from thence, by Whitehall, northward. What do you see?—Posted like silent sentinels all around the town, stand thousands upon thousands of mortal men fixed in ocean reveries. Some leaning against the spiles; some seated upon the pier-heads; some looking over the bulwarks of ships from China; some high aloft in the rigging, as if striving to get a still better seaward peep. But these are all landsmen; of week days pent up in lath and plaster—tied to counters, nailed to benches, clinched to desks. How then is this? Are the green fields gone? What do they here?
But look! here come more crowds, pacing straight for the water, and seemingly bound for a dive. Strange! Nothing will content them but the extremest limit of the land; loitering under the shady lee of yonder warehouses will not suffice. No. They must get just as nigh the water as they possibly can without falling in. And there they stand—miles of them—leagues. Inlanders all, they come from lanes and alleys, streets and avenues—north, east, south, and west. Yet here they all unite. Tell me, does the magnetic virtue of the needles of the compasses of all those ships attract them thither? 日本語
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List item 1;
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List item 2;
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List item 3.
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Once more. Say you are in the country; in some high land of lakes. Take almost any path you please, and ten to one it carries you down in a dale, and leaves you there by a pool in the stream. There is magic in it. Let the most absent-minded of men be plunged in his deepest reveries—stand that man on his legs, set his feet a-going, and he will infallibly lead you to water, if water there be in all that region. Should you ever be athirst in the great American desert, try this experiment, if your caravan happen to be supplied with a metaphysical professor. Yes, as every one knows, meditation and water are wedded for ever.
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Artist
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He desires to paint you the dreamiest, shadiest, quietest, most enchanting bit of romantic landscape in all the valley of the Saco. What is the chief element he employs? There stand his trees, each with a hollow trunk, as if a hermit and a crucifix were within; and here sleeps his meadow, and there sleep his cattle; and up from yonder cottage goes a sleepy smoke. Deep into distant woodlands winds a mazy way, reaching to overlapping spurs of mountains bathed in their hill-side blue. But though the picture lies thus tranced, and though this pine-tree shakes down its sighs like leaves upon this shepherd’s head, yet all were vain, unless the shepherd’s eye were fixed upon the magic stream before him. Go visit the Prairies in June, when for scores on scores of miles you wade knee-deep among Tiger-lilies—what is the one charm wanting?—Water—there is not a drop of water there! Were Niagara but a cataract of sand, would you travel your thousand miles to see it? Why did the poor poet of Tennessee, upon suddenly receiving two handfuls of silver, deliberate whether to buy him a coat, which he sadly needed, or invest his money in a pedestrian trip to Rockaway Beach? Why is almost every robust healthy boy with a robust healthy soul in him, at some time or other crazy to go to sea? Why upon your first voyage as a passenger, did you yourself feel such a mystical vibration, when first told that you and your ship were now out of sight of land? Why did the old Persians hold the sea holy? Why did the Greeks give it a separate deity, and own brother of Jove? Surely all this is not without meaning. And still deeper the meaning of that story of Narcissus, who because he could not grasp the tormenting, mild image he saw in the fountain, plunged into it and was drowned. But that same image, we ourselves see in all rivers and oceans. It is the image of the ungraspable phantom of life; and this is the key to it all.
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Now, when I say that I am in the habit of going to sea whenever I begin to grow hazy about the eyes, and begin to be over conscious of my lungs, I do not mean to have it inferred that I ever go to sea as a passenger. For to go as a passenger you must needs have a purse, and a purse is but a rag unless you have something in it. Besides, passengers get sea-sick—grow quarrelsome—don’t sleep of nights—do not enjoy themselves much, as a general thing;—no, I never go as a passenger; nor, though I am something of a salt, do I ever go to sea as a Commodore, or a Captain, or a Cook. I abandon the glory and distinction of such offices to those who like them. For my part, I abominate all honourable respectable toils, trials, and tribulations of every kind whatsoever. It is quite as much as I can do to take care of myself, without taking care of ships, barques, brigs, schooners, and what not. And as for going as cook,—though I confess there is considerable glory in that, a cook being a sort of officer on ship-board—yet, somehow, I never fancied broiling fowls;—though once broiled, judiciously buttered, and judgmatically salted and peppered, there is no one who will speak more respectfully, not to say reverentially, of a broiled fowl than I will. It is out of the idolatrous dotings of the old Egyptians upon broiled ibis and roasted river horse, that you see the mummies of those creatures in their huge bake-houses the pyramids.
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Test table with borders
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Header 1
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Header 2
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Header 3
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Header 4
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Header 5
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Table data 1
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Table data 2
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Table data 3
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Table data 4
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Table data 5
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Table data 1
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Table data 2
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Table data 3
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Table data 4
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Table data 5
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No, when I go to sea, I go as a simple sailor, right before the mast, plumb down into the forecastle, aloft there to the royal mast-head. True, they rather order me about some, and make me jump from spar to spar, like a grasshopper in a May meadow. And at first, this sort of thing is unpleasant enough. It touches one’s sense of honour, particularly if you come of an old established family in the land, the Van Rensselaers, or Randolphs, or Hardicanutes. And more than all, if just previous to putting your hand into the tar-pot, you have been lording it as a country schoolmaster, making the tallest boys stand in awe of you. The transition is a keen one, I assure you, from a schoolmaster to a sailor, and requires a strong decoction of Seneca and the Stoics to enable you to grin and bear it. But even this wears off in time.
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What of it, if some old hunks of a sea-captain orders me to get a broom and sweep down the decks? What does that indignity amount to, weighed, I mean, in the scales of the New Testament? Do you think the archangel Gabriel thinks anything the less of me, because I promptly and respectfully obey that old hunks in that particular instance? Who ain’t a slave? Tell me that. Well, then, however the old sea-captains may order me about—however they may thump and punch me about, I have the satisfaction of knowing that it is all right; that everybody else is one way or other served in much the same way—either in a physical or metaphysical point of view, that is; and so the universal thump is passed round, and all hands should rub each other’s shoulder-blades, and be content.
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Again, I always go to sea as a sailor, because they make a point of paying me for my trouble, whereas they never pay passengers a single penny that I ever heard of. On the contrary, passengers themselves must pay. And there is all the difference in the world between paying and being paid. The act of paying is perhaps the most uncomfortable infliction that the two orchard thieves entailed upon us. But being paid,—what will compare with it? The urbane activity with which a man receives money is really marvellous, considering that we so earnestly believe money to be the root of all earthly ills, and that on no account can a monied man enter heaven. Ah! how cheerfully we consign ourselves to perdition!
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Finally, I always go to sea as a sailor, because of the wholesome exercise and pure air of the fore-castle deck. For as in this world, head winds are far more prevalent than winds from astern (that is, if you never violate the Pythagorean maxim), so for the most part the Commodore on the quarter-deck gets his atmosphere at second hand from the sailors on the forecastle. He thinks he breathes it first; but not so. In much the same way do the commonalty lead their leaders in many other things, at the same time that the leaders little suspect it. But wherefore it was that after having repeatedly smelt the sea as a merchant sailor, I should now take it into my head to go on a whaling voyage; this the invisible police officer of the Fates, who has the constant surveillance of me, and secretly dogs me, and influences me in some unaccountable way—he can better answer than any one else. And, doubtless, my going on this whaling voyage, formed part of the grand programme of Providence that was drawn up a long time ago. It came in as a sort of brief interlude and solo between more extensive performances. I take it that this part of the bill must have run something like this:
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“Grand Contested Election for the Presidency of the United States. “WHALING VOYAGE BY ONE ISHMAEL. “BLOODY BATTLE IN AFFGHANISTAN.”
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Though I cannot tell why it was exactly that those stage managers, the Fates, put me down for this shabby part of a whaling voyage, when others were set down for magnificent parts in high tragedies, and short and easy parts in genteel comedies, and jolly parts in farces—though I cannot tell why this was exactly; yet, now that I recall all the circumstances, I think I can see a little into the springs and motives which being cunningly presented to me under various disguises, induced me to set about performing the part I did, besides cajoling me into the delusion that it was a choice resulting from my own unbiased freewill and discriminating judgment.
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Chief among these motives was the overwhelming idea of the great whale himself. Such a portentous and mysterious monster roused all my curiosity. Then the wild and distant seas where he rolled his island bulk; the undeliverable, nameless perils of the whale; these, with all the attending marvels of a thousand Patagonian sights and sounds, helped to sway me to my wish. With other men, perhaps, such things would not have been inducements; but as for me, I am tormented with an everlasting itch for things remote. I love to sail forbidden seas, and land on barbarous coasts. Not ignoring what is good, I am quick to perceive a horror, and could still be social with it—would they let me—since it is but well to be on friendly terms with all the inmates of the place one lodges in.
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By reason of these things, then, the whaling voyage was welcome; the great flood-gates of the wonder-world swung open, and in the wild conceits that swayed me to my purpose, two and two there floated into my inmost soul, endless processions of the whale, and, mid most of them all, one grand hooded phantom, like a snow hill in the air.
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\ No newline at end of file
diff --git a/tests/type-scale.html b/tests/type-scale.html
index 76e75cff..1ae15cf4 100644
--- a/tests/type-scale.html
+++ b/tests/type-scale.html
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Test
diff --git a/tests/word-spacing.html b/tests/word-spacing.html
index 4919911a..b8a8eadb 100644
--- a/tests/word-spacing.html
+++ b/tests/word-spacing.html
@@ -1,5 +1,5 @@
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Test
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